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Luin kept his design true to the original and Caslon Classico consists of two cuts with corresponding italic and small caps characters. This fonts are authors' property, and are either shareware, demo versions or public domain. Caslon Classico appeared in 1993 and was designed by Franco Luin, the designer of various interpretations of classic typefaces. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. The overall impression which Caslon makes is serious, elegant and linear. The serifs are finer and the axis of the curvature is almost or completely vertical. The characteristics of the earlier Renaissance typefaces are only barely detectable. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. File adobe-caslon-pro.zip 2.29 Kb for Windows, ACaslonPro-Bold.otf, ACaslonPro-Bold.otf, ACaslonPro-BoldItalic.otf, ACaslonPro-SemiboldItalic.otf, ACaslonPro. The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. Ideally suited for text in sizes ranging from 6- to 14-point, Adobe Caslon Pro is the right choice for magazines, journals, book publishing, and corporate communications. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The OpenType Pro version merges formerly separate fonts (expert, swash, small caps, etc.), and adds both central European language support and several additional ligatures. That of the Bodytypes is adjusted for readability.
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One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions.